Élon Couture
Creative Director
This was one of the hardest jobs I’ve ever worked, but not because of the project. As the Creative Director, this was truly a labor of love. Not just for me, but for all involved. This project was for a wealthy local radio mogul named Ross Love, who decide that it was high time for Black women to have a magazine for haute couture, and that it should be based in Cincinnati. And he was prepared to put his considerable wealth behind the effort.
It’s the kind of project I’d always hoped for while I lived in Chicago, but it was Cincinnati that finally gave me my chance to create my own Black version of Vogue Magazine. Unfortunately, our fearless leader and inspiration for the project suddenly died before we could get our first issue off the ground. But it remains the project I was most fond of as a designer.
Duties & Responsibilities
The concept we created for the book was simply to show Black women wearing haute couture and wearing it well. But he didn’t want to portray Black women in the norm. He liked the idea of Tiger Woods being Black but also Thai. Knowing that there are women who identify as Black but often have parents who are not Black, we wanted a more “inclusive” book. And came up with the concept of a “spectrum of beauty”, selecting models who were every shade of the diaspora. For this reason we included models who are Black and Asian, Black and European, as well as straight from the motherland. The women were intended to be as much a part of the fashion as the clothes.
It was important to Ross Love that the design of the book be different from any other publication for Black women. He didn’t want it to be another version of Essence or Ebony magazine. This was haute couture, and he wanted the book to be on par with a Vogue or Elle magazine. He wanted a big book with thick, glossy pages, full of beautiful girls who could make interesting shapes with their bodies and the clothes. He wanted lots of black and white photography to keep down the printing costs, but with splashes of color here and there to make it seem like more of a color publication than it really was.
I designed the book using Adobe InDesign. I created the overall aesthetic, chose fonts, colors, chose the paper stock, etc.
I designed the style guide to keep the designers on task and on brand.

